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By Lorna Burns

Modern Caribbean Writing and Deleuze maps a brand new highbrow and literary heritage of postcolonial Caribbean writing and idea spanning from the Thirties surrealist stream to the current, crossing the region's language blocs, and keen on the interconnected ideas of creativity and commemoration. Exploring the paintings of René Ménil, Édouard Glissant, Wilson Harris, Derek Walcott, Antonio Benítez-Rojo, Pauline Melville, Robert Antoni and Nalo Hopkinson, this research finds the categorical and implicit engagement with Deleuzian notion at paintings in modern Caribbean writing. Uniting for the 1st time significant faculties of latest idea - postcolonialism and post-continental philosophy - this learn establishes a brand new and cutting edge serious discourse for Caribbean reports and postcolonial idea past the oppositional dialectic of colonizer and colonized. Drawing from Deleuze's writings on Bergson, Nietzsche and Spinoza, this research interrogates the postcolonial tropes of newness, changing into, relationality and a philosophical thought of immanence that lie on the middle of a little-observed discussion among modern Caribbean writers and Deleuze.

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105); so it came about that Descartes, innocent symbol of reason, skulking in the back rows of the soldiery, watched and participated as little as possible as the Battle of the White Mountain was fought outside Prague. The battle put to flight the newly ensconced King and Queen, smashed the spirit of Bohemia and destroyed the unity of magic and science which had developed as one under the liberal auspices of Rudolfo and his successors. Magic and technology were, from then on, to go their separate ways.

Deleuze 2004c, p. 118) Consciousness operates as the consciousness of a subject and therefore it cannot function as the ground from which actualization emanates. In other words, consciousness takes on the role of yet another abstraction which must be ‘embodied in a world which’ it makes ‘conform to [its] requirements’ 42 Contemporary Caribbean Writing and Deleuze (Deleuze and Parnet 2006, p. vi). Deleuze’s approach, as we have seen, returns to states of things in order to create new concepts by retracing the lines of differenciation that produced them.

Whenever we turn away from judgement toward justice, we enter into a dreamless sleep. What the four authors [Nietzsche, D. H. Lawrence, Kafka, Artaud] denounce in the dream is a state that is still too immobile, and too directed, too governed. ]. In his reservations concerning surrealism, Artaud insists that it is not thought that collides with the kernel of a dream, but rather dreams that bounce off a kernel of thought that escapes them. (Deleuze 1997, pp. 129–30) By this account, dreams too often fall into the trap of Cartesian dualisms, are mistaken for the shadows of the waking world.

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