By Hubert Lucot
Commencée dans l. a. nostalgie, l'année 2006-2007 assène deux coups durs au narrateur. L'un était imprévisible : son épouse et héroïne A.M. subit un bad twist of fate. L'autre était calculé : les Français élisent un président qui appliquera un ultralibéralisme meurtrier. Dans les deux cas, le narrateur peint les faits plus qu'il ne les examine. Les coulées de peinture le mènent à saisir un substrat qu'on dira «l'être et le temps».
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Extra resources for Allègement
Com/ journal/10912 (accessed 4 October 2015); Daphne Brooks, Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910 (Durham: University of Durham Press, 2006); Disability Studies Reader, ed. Davis, Fourth Edition (New York: Routledge, 2013); Rosi Braidotti, The Posthuman (Cambridge: Polity Press, 2013). For a recent general introduction to writing on the body, see The Body in Literature, ed. by David Hillman and Ulrika Maude (Cambridge: Cambridge University Press, 2015). 2.
28. rskey=pZpVpQ&result= 1&isAdvanced=false#eid (accessed 14 July 2015). 29. 5). , ‘MS Notes to Spenser’s Faerie Queene’, Notes and Queries 202 (1957), 509–15. The Earl was, in fact, killed near Glenageenty, in 1583. On Spenserian allegory’s relationship with violence, see Gordon Teskey, Allegory and Violence (Cornell University Press, 1996), and Elizabeth Fowler, Literary Character: The Human Figure in Early English Writing (Ithaca, NY: Cornell University Press, 2003). 32. Churchyard, Scourge for Rebels, sig.
26. Rothberg, ‘Dialogue’, n. pag. CHAPTER 2 Where Does It Hurt? 1 The record of the Elizabethan conquest of Ireland is shot through with ejaculations of pain from those advancing it. 2 But there is no necessary continuum between self-pity and pitying another’s pain— P. uk © The Author(s) 2016 F. Dillane et al. 1007/978-3-319-31388-7_2 21 22 P. PALMER especially when that other is an enemy. ’4 In this chapter, I want to switch the terms of Jameson’s assertion around, by examining ‘hurts’ (the noun rather than the verb, the pain rather than its infliction) in a specific historical moment.