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By Kathryn Gutzwiller

This ebook is a consultant to the terribly varied literature of the Hellenistic period.
A consultant to the literature of the Hellenistic age, from the loss of life of Alexander the good in 323 BCE to the conflict of Actium in 31 BC* offers overviews of the social, political, highbrow and literary ancient contexts within which Hellenistic literature used to be produced.
Introduces the main writers and genres of the period.
Provides information regarding sort, meter and languages to assist readers without previous wisdom of the language in knowing technical features of literary Greek.
Distinctive in its assurance of present matters in Hellenistic feedback, together with viewers reception, the political and social heritage, and Hellenistic theories of literature.

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As a result, an accented syllable was distinguished from an unaccented one by a rising tone, not by stress, and the metrical pattern was independent of the accent. It was rather based on the sequence of long versus short syllables in a word, and syllable length was determined by the quantity of the vowels and diphthongs or by the number of consonants following the vowel. The details of this system need to be known only to those who wish to read ancient Greek poetry in the original, and our discussion here will focus on how Hellenistic poets adapted the metrical system, in order to place themselves within a certain poetic tradition, to set themselves apart as innovative in poetic usage, or to signal the artful refinement of their poetic technique.

While only a few fragments of Philitas’ verse survive, he was praised as a poet by both Callimachus (fr. ’’4 It seems reasonable to conclude, therefore, that his poetry and teachings were, at least in part, the source for the stylistic terminology, aesthetic principles, and accompanying system of imagery espoused by the Alexandrian poets. If so, then certain elements of it are, in all likelihood, present in Posidippus’ description of the statue: the detailed accuracy of the image, the use of humanity as the model without heroic idealization, the portraitlike representation of Philitas’ elderly appearance and scholarly e¯thos, ‘‘character,’’ and the illusionistic effect of the realistic depiction.

1). Because of continuous habitation and changing sea levels, little remains of this most brilliant of Hellenistic urban centers, although excavated tombs and underwater exploration have enhanced what we know from texts. The most elaborate tombs, with central chambers for sacrifice, were constructed, apparently, for royal burials and as places of dynastic worship. 1 Alexandria. One extraordinary antechamber, made entirely of alabaster, just possibly led to the final resting place for the body of Alexander the Great, which Soter had shrewdly carried off to Egypt.

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